Our curriculum is meticulously designed to cultivate the ability to capture the essence of three-dimensional space on the two-dimensional plane of paper. Beginning with the representation of objects in plaster, our students develop a keen ability to discern and represent tonal values, understand the interplay of light and shadow, and recreate volume realistically. As they progress, the complexity of the exercises increases, promoting deeper analysis and greater skill in handling different materials.

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When addressing the human figure, we employ live models for students to practice simplifying complex shapes, understanding proportions, and representing anatomy, gesture, and bone structure. Practice evolves from short four-hour sessions to detailed 48-hour poses, allowing students a thorough immersion in every aspect of their subject.

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We delve into the technique through the study of Charles Bargue's prints, where students hone their ability to decompose and reconstruct the structure of shapes, and develop a sensitivity to line quality and its relationship to the overall composition. Precision and clarity in the line are essential and are emphasized throughout the course.

Finally, our students graduate from graphite drawing to techniques with more expressive materials such as charcoal and sanguine. This step not only broadens their spectrum of skills, but also opens up a range of creative possibilities, preparing them to confidently explore the vast world of visual art.

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This comprehensive approach ensures that each student, upon completion of the program, has not only perfected their technique, but has also developed a deep understanding of the artistic principles that are fundamental to any form of visual expression.